The final audition of The Voice of Germany 2024 brought something truly unforgettable—a performance that left not only the audience but also the judges completely amazed. The singer, Marlene Bellissimo, stepped onto the stage and delivered a rendition of “Dream A Little Dream” that no one saw coming. Literally. The cameraman played along, keeping her out of view so everyone—judges and viewers alike—could experience the surprise together.

Marlene, 29, has a voice (or rather, voices) that can fool even the most trained ears. As the song began, she performed with a soft and melodic woman’s voice, then seamlessly switched to a powerful baritone—so convincing that it felt like an entirely different person had taken over. And then, just when everyone thought they’d heard it all, she introduced a third vocal style, blending the two into something truly unique. It was like a musical illusion; the audience couldn’t believe it was all coming from one person.

The judges were stunned. When they turned their chairs, their faces were priceless—shock, awe, and admiration all rolled into one. One judge even joked, “I thought there were three people up here!” And honestly, no one would have blamed them.

Marlene’s story is as remarkable as her talent. Born Jake, she always felt out of place in her skin. Music became her escape, a space where she could express all parts of herself. Over the years, she discovered this incredible ability to switch between a man’s and a woman’s voice effortlessly, creating performances that blur the lines of identity and art.

For her audition, Marlene chose the classic “Dream A Little Dream,” originally performed by Ozzie Nelson and released in 1931. A song with such timeless charm was the perfect choice for her to showcase her versatility and emotional depth. The audience didn’t just hear her sing; they experienced a story told through her voices.

One viewer joked, “It’s amazing how she switches voices so smoothly. For a second, I thought they’d accidentally mic’d up someone backstage!” Others commented on her courage and originality, with one saying, “She’s not just a singer; she’s a symbol of authenticity.”

Marlene’s performance didn’t just secure her a spot in the next round of the competition—it started conversations. Conversations about talent, identity, and how music can transcend boundaries.

And let’s be honest: with talent like this, Marlene isn’t just competing. She’s rewriting what it means to be an artist. One voice is impressive, two are rare, but three? That’s something magical.